Kia ora koutou
= = =
SPACE : NETWORK : MEMORY
Mesh Cities Christchurch : ADA Network Symposium 2013
Dunedin, 13-15 September.
Proposal abstracts due 10 June, 2013
Space : Network : Memory is the 8th ADA Network symposium. ADA symposia
have a formidable reputation for critical collegial exchange within the
expanded field of digital and media arts. This September in Dunedin we mark
a decade of ADA Symposia in response to themes generated by the three year
ADA Network research project Mesh Cities Christchurch.
Space : Network : Memory welcomes proposals for provocations, panel
participation and presentations of work engaging with aspects of the broad
range of practices and approaches necessary for rethinking the contemporary
city, the networks that surround and emerge from it, and the memories it
holds.
Space : Network : Memory will include artists, designers, media
practitioners and performers, urban planners, historians, theorists,
curators, writers, educators, and storytellers.
Space : Network : Memory recognises that the situation of post-quake,
post-'blueprint', transitional Christchurch generates problems and
possibilities for all of Aotearoa/New Zealand. The DUNEDIN symposium will
continue this discussion. Dunedin is an historic city with many evident
remains of the past, yet, for seismic and economic reasons these
environments are in transition and their stories are under threat.
Dunedin's historic warehouse precinct is one focus of discussion, and will
feature as a site of conversation. Space : Network : Memory will engage
closely and playfully across Dunedin city.
Space : Network : Memory seeks;
Proposals for short provocations that respond to histories, architectures,
art and media as they interplay and feedback with civic processes, and/or
re-engage people in urban and public spaces.
Your abstract should include: name, contact information, title and a 300
word abstract referencing the relevant symposium theme, and any technical
requirements. Please expect to give a ten minute presentation and
contribute to a panel discussion – online resources to support your
presentation are welcome. Due 10 June, 2013
Panel proposals. These abstracts should include: name of at least three
people to form a panel, contact information, title and a 300 word abstract
referencing the relevant symposium theme, and any technical requirements.
Please expect to present a collaborative 30 – 40 minute panel – online
resources to support your panel presentation are welcome. Due 10 June, 2013
Presentations of work. These should include; name, contact details, an
image or documentation of the work (if possible), and a 150 word abstract
for a five minute discussion. Online resources to support your works are
welcome. Due 10 June, 2013
Please email your proposals or requests for information to
adasymposium2013@ada.net.nz
Details of the Space : Network : Memory symposium format, programme,
registration and accommodation options will be announced by the end of June
2013.
Please find more info at the following links:
This call, background information and links to further discussion may be
found at
http://www.ada.net.nz/meshcities/ada-symposium-dunedin-september-13-15-cfp/
The 8th ADA Symposium in Dunedin Space : Network : Memory is part of Mesh
Cities Christchurch - www.ada.net.nz
= = =
Thanks
vicki :)
Monday, May 13, 2013
Sunday, May 12, 2013
Re: [Ada_list] ADA Panel for ISEA 2013
Hey Adam (& John)
CLUI is a great thought. I love love love their work (I even bought the coffee mug when I visited in 2006), but never thought of them in the chch context.
It would be great to get in touch with them for an exploratory think about how we could connect - John I'll send you some thoughts towards an email in the next few days. If anyone has any other thoughts along these lines please let us know!
Zita
On 09/05/2013, at 3:21 AM, John Hopkins <chazhop@gmail.com> wrote:
> Zita (& Adam) --
>
>> Sounds very interesting. The only thought I can offer is perhaps to make
>> contact, if you havent already, for the center for land use interpretation. They
>
> I second that -- I did a 6-week residency at their Wendover, Utah facility in 2010, where I met & spent time with Matt Coolidge (@ clui@clui.org), one of the founders. He is a phenomenal individual!
>
> Much of their remit is very much about the US environment (and the effects of military-industrial development on the wider landscape/social system/culture, etc). But their approach is quite open and they have built up quite a profound historical and contemporary knowledge-base as well as a strong human network.
>
>> might be an interesting org to talk to for some information or ideas on
>> approaches to contextualise some of the themes with regard to other experiences
>> and events
>>
>> it might turn up empty but could be worth at least a call
>
> I'd be happy to make a hand-shake with Matt or just email him!
>
> Cheers,
> John
>
>
> --
>
> ++++++++++++++++++++++++++++++++++++++++++++++++++
> Dr. John Hopkins, BSc, MFA, PhD
> exploring the patterns and flows of power @
> http://neoscenes.net/
> http://tech-no-mad.net/blog/
> ++++++++++++++++++++++++++++++++++++++++++++++++++
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
CLUI is a great thought. I love love love their work (I even bought the coffee mug when I visited in 2006), but never thought of them in the chch context.
It would be great to get in touch with them for an exploratory think about how we could connect - John I'll send you some thoughts towards an email in the next few days. If anyone has any other thoughts along these lines please let us know!
Zita
On 09/05/2013, at 3:21 AM, John Hopkins <chazhop@gmail.com> wrote:
> Zita (& Adam) --
>
>> Sounds very interesting. The only thought I can offer is perhaps to make
>> contact, if you havent already, for the center for land use interpretation. They
>
> I second that -- I did a 6-week residency at their Wendover, Utah facility in 2010, where I met & spent time with Matt Coolidge (@ clui@clui.org), one of the founders. He is a phenomenal individual!
>
> Much of their remit is very much about the US environment (and the effects of military-industrial development on the wider landscape/social system/culture, etc). But their approach is quite open and they have built up quite a profound historical and contemporary knowledge-base as well as a strong human network.
>
>> might be an interesting org to talk to for some information or ideas on
>> approaches to contextualise some of the themes with regard to other experiences
>> and events
>>
>> it might turn up empty but could be worth at least a call
>
> I'd be happy to make a hand-shake with Matt or just email him!
>
> Cheers,
> John
>
>
> --
>
> ++++++++++++++++++++++++++++++++++++++++++++++++++
> Dr. John Hopkins, BSc, MFA, PhD
> exploring the patterns and flows of power @
> http://neoscenes.net/
> http://tech-no-mad.net/blog/
> ++++++++++++++++++++++++++++++++++++++++++++++++++
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Wednesday, May 8, 2013
Re: [Ada_list] ADA Panel for ISEA 2013
Zita (& Adam) --
> Sounds very interesting. The only thought I can offer is perhaps to make
> contact, if you havent already, for the center for land use interpretation. They
I second that -- I did a 6-week residency at their Wendover, Utah facility in
2010, where I met & spent time with Matt Coolidge (@ clui@clui.org), one of the
founders. He is a phenomenal individual!
Much of their remit is very much about the US environment (and the effects of
military-industrial development on the wider landscape/social system/culture,
etc). But their approach is quite open and they have built up quite a profound
historical and contemporary knowledge-base as well as a strong human network.
> might be an interesting org to talk to for some information or ideas on
> approaches to contextualise some of the themes with regard to other experiences
> and events
>
> it might turn up empty but could be worth at least a call
I'd be happy to make a hand-shake with Matt or just email him!
Cheers,
John
--
++++++++++++++++++++++++++++++++++++++++++++++++++
Dr. John Hopkins, BSc, MFA, PhD
exploring the patterns and flows of power @
http://neoscenes.net/
http://tech-no-mad.net/blog/
++++++++++++++++++++++++++++++++++++++++++++++++++
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
> Sounds very interesting. The only thought I can offer is perhaps to make
> contact, if you havent already, for the center for land use interpretation. They
I second that -- I did a 6-week residency at their Wendover, Utah facility in
2010, where I met & spent time with Matt Coolidge (@ clui@clui.org), one of the
founders. He is a phenomenal individual!
Much of their remit is very much about the US environment (and the effects of
military-industrial development on the wider landscape/social system/culture,
etc). But their approach is quite open and they have built up quite a profound
historical and contemporary knowledge-base as well as a strong human network.
> might be an interesting org to talk to for some information or ideas on
> approaches to contextualise some of the themes with regard to other experiences
> and events
>
> it might turn up empty but could be worth at least a call
I'd be happy to make a hand-shake with Matt or just email him!
Cheers,
John
--
++++++++++++++++++++++++++++++++++++++++++++++++++
Dr. John Hopkins, BSc, MFA, PhD
exploring the patterns and flows of power @
http://neoscenes.net/
http://tech-no-mad.net/blog/
++++++++++++++++++++++++++++++++++++++++++++++++++
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Tuesday, May 7, 2013
Re: [Ada_list] ADA Panel for ISEA 2013
hi
Sounds very interesting. The only thought I can offer is perhaps to make
contact, if you havent already, for the center for land use
interpretation. They might be an interesting org to talk to for some
information or ideas on approaches to contextualise some of the themes
with regard to other experiences and events
it might turn up empty but could be worth at least a call
adam
On 05/07/2013 10:00 PM, Zita Joyce wrote:
> Dear ADA
>
> There is an announcement and CFP on the very near horizon for our next symposium, in Dunedin this September, and also the documentation of the Easter launch event for the Mesh Cities Christchurch project. More on those to follow…
>
> In the meantime, the next event on the ADA Network horizon is ISEA 2013, in Sydney from 7-16 June.
>
> Su Ballard, Vicki Smith and I are hosting a panel discussion for the ISEA conference, which is currently scheduled for the afternoon of Tuesday June 11, although the final programme has not yet been published.
>
> The panel abstract and details are below, but we will be using it as a chance to elicit ideas, examples, feedback, and responses from conference attendees from around the world on the possibilities of 'Media Art in the Transitional City'. As with the rest of this research programme, this emerges from the Christchurch 'situation', but extends out to the rest of NZ and the world.
>
> This is fairly explicitly responding to the conference theme 'resistance is fertile'...
>
> Please post any feedback, examples, thoughts, etc, any of you have around these ideas. And, please, let us know if you will be in Sydney for / at the same time as ISEA and are interested in participating in some way.
>
> Best
> Zita
>
>
> Media art and the transitional city
>
> Following the earthquake of February 2011, the central city of Christchurch, New Zealand, has been largely dismantled. Huge tracts of open ground spread out where buildings once stood, and much of the centre is still closed off to residents. Navigating around hurricane fences, demolition sites, and the street-gouges of caterpillar tracks has forced a renegotiation of the format of the city and its built and deconstructed spaces. At the same time, the command and control process of 'recovery' adopted by central government, against international best practice, explicitly reduces scope for community consultation in the reconstruction of the city. In a city that is exhausted and bewildered by natural disaster and its response, resistance feels fundamentally futile. And yet, in this place, it has never been so important.
>
> In the shadow of the demolitions, or rather the open spaces in their wake, artists are regenerating empty lots, blank walls, and social connections, in what seem like resistant creative acts. However the officially-designated rebuild-in-progress 'transitional city' relies on this creative endeavour, vesting artists and others with the responsibility of making the blank city more appealing to visitors and residents.
>
> Aotearoa Digital Arts' 'Mesh Cities' project explores the potential role of media art in transitional and future Christchurch. At this early stage in the project, this panel asks how productive media art can actually be for reimagining, remembering, reinvigorating, reconnecting with, or indeed resisting, urban and social space.
>
>
>
>
>
>
> _______________________________________________
> Ada_list mailing list
> Ada_list@list.waikato.ac.nz
> http://aotearoadigitalarts.org.nz/
>
--
Book Sprint Facilitation
Book Production Platform Design
Collaborative Production Services
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Sounds very interesting. The only thought I can offer is perhaps to make
contact, if you havent already, for the center for land use
interpretation. They might be an interesting org to talk to for some
information or ideas on approaches to contextualise some of the themes
with regard to other experiences and events
it might turn up empty but could be worth at least a call
adam
On 05/07/2013 10:00 PM, Zita Joyce wrote:
> Dear ADA
>
> There is an announcement and CFP on the very near horizon for our next symposium, in Dunedin this September, and also the documentation of the Easter launch event for the Mesh Cities Christchurch project. More on those to follow…
>
> In the meantime, the next event on the ADA Network horizon is ISEA 2013, in Sydney from 7-16 June.
>
> Su Ballard, Vicki Smith and I are hosting a panel discussion for the ISEA conference, which is currently scheduled for the afternoon of Tuesday June 11, although the final programme has not yet been published.
>
> The panel abstract and details are below, but we will be using it as a chance to elicit ideas, examples, feedback, and responses from conference attendees from around the world on the possibilities of 'Media Art in the Transitional City'. As with the rest of this research programme, this emerges from the Christchurch 'situation', but extends out to the rest of NZ and the world.
>
> This is fairly explicitly responding to the conference theme 'resistance is fertile'...
>
> Please post any feedback, examples, thoughts, etc, any of you have around these ideas. And, please, let us know if you will be in Sydney for / at the same time as ISEA and are interested in participating in some way.
>
> Best
> Zita
>
>
> Media art and the transitional city
>
> Following the earthquake of February 2011, the central city of Christchurch, New Zealand, has been largely dismantled. Huge tracts of open ground spread out where buildings once stood, and much of the centre is still closed off to residents. Navigating around hurricane fences, demolition sites, and the street-gouges of caterpillar tracks has forced a renegotiation of the format of the city and its built and deconstructed spaces. At the same time, the command and control process of 'recovery' adopted by central government, against international best practice, explicitly reduces scope for community consultation in the reconstruction of the city. In a city that is exhausted and bewildered by natural disaster and its response, resistance feels fundamentally futile. And yet, in this place, it has never been so important.
>
> In the shadow of the demolitions, or rather the open spaces in their wake, artists are regenerating empty lots, blank walls, and social connections, in what seem like resistant creative acts. However the officially-designated rebuild-in-progress 'transitional city' relies on this creative endeavour, vesting artists and others with the responsibility of making the blank city more appealing to visitors and residents.
>
> Aotearoa Digital Arts' 'Mesh Cities' project explores the potential role of media art in transitional and future Christchurch. At this early stage in the project, this panel asks how productive media art can actually be for reimagining, remembering, reinvigorating, reconnecting with, or indeed resisting, urban and social space.
>
>
>
>
>
>
> _______________________________________________
> Ada_list mailing list
> Ada_list@list.waikato.ac.nz
> http://aotearoadigitalarts.org.nz/
>
--
Book Sprint Facilitation
Book Production Platform Design
Collaborative Production Services
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
[Ada_list] ISEA2013 - invitation
Dear All,
I would like to invite you to join us at the ISEA2013
education event (see info below) co-organized in collaboration
with Paul Thomas. Please encourage others to join us,
everybody is welcome.
all the best
nina
ISEA 2013: THE ROLE OF ART EDUCATION IN AN AGE OF
ECOLOGICAL CRISIS AND THE GLOBALISATION OF
KNOWLEDGE
A workshop presented by ISEA2013 with Leonardo
Education & Arts Forum (LEAF) in collaboration
with ISEA2013 Education Workshop and in
partnership with the MCA and the National
Institute for Experimental Arts (NIEA) at COFA,
UNSW.
Location: Creative Studios, the NCCL (National
Centre for Creative Learning), Level 3
Museum of Contemporary Art
140 George St Sydney, NSW.
Date: 14 Jun Friday.
Time: 2-5pm
What is the role of art education in an age of
ecological crisis and the globalisation of
knowledge? This workshop positions
transdisciplinary approach as the key to
sustainable, meaningful solutions. It will
address the development of an art and science
cloud curriculum, based on cross-disciplinary
initiatives in North America and Europe in
Science, Technology, Engineering, Art and
Mathematics (STEAM) and Science, Engineering Art
and Design education (SEAD).
About Leonardo Education & Arts Forum (LEAF)
The Leonardo Education and Art Forum (LEAF)
promotes the advancement of artistic research and
academic scholarship at the intersections of art,
science, and technology.
Workshop Structure:
1. Presentation by workshop leaders and theme moderators - 1 hour
2. Breakout discussions - 3 groups - 1 hour
The role of the art institution in developing
sustainable cloud curriculum that address the
STEAM/SEAD vision (globalization of education).
The shift needed to take place in art education
in order to explore the new realities of evolving
reorganization of practice, research and
knowledge.
Current thinking on the role of education in the
age of ecological crisis, and sustainability of
art and science's mobilization of collective
group learning methodologies.
3. Summary of groups and general discussion - 1 hour
Workshop Leaders:
Nina Czegledy
Paul Thomas
Theme Moderators:
Jane Prophet
Mike Philips
Andrea Polli
Ian Clothier
Nigel Helyer
Joanna Hoffmann
LEAF, a working group of Leonardo ® /ISAST
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
I would like to invite you to join us at the ISEA2013
education event (see info below) co-organized in collaboration
with Paul Thomas. Please encourage others to join us,
everybody is welcome.
all the best
nina
ISEA 2013: THE ROLE OF ART EDUCATION IN AN AGE OF
ECOLOGICAL CRISIS AND THE GLOBALISATION OF
KNOWLEDGE
A workshop presented by ISEA2013 with Leonardo
Education & Arts Forum (LEAF) in collaboration
with ISEA2013 Education Workshop and in
partnership with the MCA and the National
Institute for Experimental Arts (NIEA) at COFA,
UNSW.
Location: Creative Studios, the NCCL (National
Centre for Creative Learning), Level 3
Museum of Contemporary Art
140 George St Sydney, NSW.
Date: 14 Jun Friday.
Time: 2-5pm
What is the role of art education in an age of
ecological crisis and the globalisation of
knowledge? This workshop positions
transdisciplinary approach as the key to
sustainable, meaningful solutions. It will
address the development of an art and science
cloud curriculum, based on cross-disciplinary
initiatives in North America and Europe in
Science, Technology, Engineering, Art and
Mathematics (STEAM) and Science, Engineering Art
and Design education (SEAD).
About Leonardo Education & Arts Forum (LEAF)
The Leonardo Education and Art Forum (LEAF)
promotes the advancement of artistic research and
academic scholarship at the intersections of art,
science, and technology.
Workshop Structure:
1. Presentation by workshop leaders and theme moderators - 1 hour
2. Breakout discussions - 3 groups - 1 hour
The role of the art institution in developing
sustainable cloud curriculum that address the
STEAM/SEAD vision (globalization of education).
The shift needed to take place in art education
in order to explore the new realities of evolving
reorganization of practice, research and
knowledge.
Current thinking on the role of education in the
age of ecological crisis, and sustainability of
art and science's mobilization of collective
group learning methodologies.
3. Summary of groups and general discussion - 1 hour
Workshop Leaders:
Nina Czegledy
Paul Thomas
Theme Moderators:
Jane Prophet
Mike Philips
Andrea Polli
Ian Clothier
Nigel Helyer
Joanna Hoffmann
LEAF, a working group of Leonardo ® /ISAST
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
[Ada_list] ADA Panel for ISEA 2013
Dear ADA
There is an announcement and CFP on the very near horizon for our next symposium, in Dunedin this September, and also the documentation of the Easter launch event for the Mesh Cities Christchurch project. More on those to follow…
In the meantime, the next event on the ADA Network horizon is ISEA 2013, in Sydney from 7-16 June.
Su Ballard, Vicki Smith and I are hosting a panel discussion for the ISEA conference, which is currently scheduled for the afternoon of Tuesday June 11, although the final programme has not yet been published.
The panel abstract and details are below, but we will be using it as a chance to elicit ideas, examples, feedback, and responses from conference attendees from around the world on the possibilities of 'Media Art in the Transitional City'. As with the rest of this research programme, this emerges from the Christchurch 'situation', but extends out to the rest of NZ and the world.
This is fairly explicitly responding to the conference theme 'resistance is fertile'...
Please post any feedback, examples, thoughts, etc, any of you have around these ideas. And, please, let us know if you will be in Sydney for / at the same time as ISEA and are interested in participating in some way.
Best
Zita
Media art and the transitional city
Following the earthquake of February 2011, the central city of Christchurch, New Zealand, has been largely dismantled. Huge tracts of open ground spread out where buildings once stood, and much of the centre is still closed off to residents. Navigating around hurricane fences, demolition sites, and the street-gouges of caterpillar tracks has forced a renegotiation of the format of the city and its built and deconstructed spaces. At the same time, the command and control process of 'recovery' adopted by central government, against international best practice, explicitly reduces scope for community consultation in the reconstruction of the city. In a city that is exhausted and bewildered by natural disaster and its response, resistance feels fundamentally futile. And yet, in this place, it has never been so important.
In the shadow of the demolitions, or rather the open spaces in their wake, artists are regenerating empty lots, blank walls, and social connections, in what seem like resistant creative acts. However the officially-designated rebuild-in-progress 'transitional city' relies on this creative endeavour, vesting artists and others with the responsibility of making the blank city more appealing to visitors and residents.
Aotearoa Digital Arts' 'Mesh Cities' project explores the potential role of media art in transitional and future Christchurch. At this early stage in the project, this panel asks how productive media art can actually be for reimagining, remembering, reinvigorating, reconnecting with, or indeed resisting, urban and social space.
There is an announcement and CFP on the very near horizon for our next symposium, in Dunedin this September, and also the documentation of the Easter launch event for the Mesh Cities Christchurch project. More on those to follow…
In the meantime, the next event on the ADA Network horizon is ISEA 2013, in Sydney from 7-16 June.
Su Ballard, Vicki Smith and I are hosting a panel discussion for the ISEA conference, which is currently scheduled for the afternoon of Tuesday June 11, although the final programme has not yet been published.
The panel abstract and details are below, but we will be using it as a chance to elicit ideas, examples, feedback, and responses from conference attendees from around the world on the possibilities of 'Media Art in the Transitional City'. As with the rest of this research programme, this emerges from the Christchurch 'situation', but extends out to the rest of NZ and the world.
This is fairly explicitly responding to the conference theme 'resistance is fertile'...
Please post any feedback, examples, thoughts, etc, any of you have around these ideas. And, please, let us know if you will be in Sydney for / at the same time as ISEA and are interested in participating in some way.
Best
Zita
Media art and the transitional city
Following the earthquake of February 2011, the central city of Christchurch, New Zealand, has been largely dismantled. Huge tracts of open ground spread out where buildings once stood, and much of the centre is still closed off to residents. Navigating around hurricane fences, demolition sites, and the street-gouges of caterpillar tracks has forced a renegotiation of the format of the city and its built and deconstructed spaces. At the same time, the command and control process of 'recovery' adopted by central government, against international best practice, explicitly reduces scope for community consultation in the reconstruction of the city. In a city that is exhausted and bewildered by natural disaster and its response, resistance feels fundamentally futile. And yet, in this place, it has never been so important.
In the shadow of the demolitions, or rather the open spaces in their wake, artists are regenerating empty lots, blank walls, and social connections, in what seem like resistant creative acts. However the officially-designated rebuild-in-progress 'transitional city' relies on this creative endeavour, vesting artists and others with the responsibility of making the blank city more appealing to visitors and residents.
Aotearoa Digital Arts' 'Mesh Cities' project explores the potential role of media art in transitional and future Christchurch. At this early stage in the project, this panel asks how productive media art can actually be for reimagining, remembering, reinvigorating, reconnecting with, or indeed resisting, urban and social space.
Wednesday, May 1, 2013
[Ada_list] SCANZ 2015 review
Hi ADA,
As part of Intercreate's Kahikatea funding there will be a SCANZ 2015, and following from discussion since SCANZ2013, it is highly likely the theme will be Water and Peace.
As part of the organisation of this event, we are wanting to review SCANZ. Basically we are trying to find out if our model is still relevant.
It is our intention to use online survey forms to gather information. Prior to creating questions, I thought it would be good to commence the process with some discussion on this list.
Currently we try and get 15-25 participants together from mid January to early February and cover people's accommodation and food. We also in 2013 had an exhibition, mostly of work not part of a residency project (two weeks is extremely short to bring a project to full exhibition level). We always have a hui, wananga or symposium, either at the beginning or the end of the residency.
What other residency/workshop/hui models do people have experience of? What different ways of doing things would people like to put forward?
Does our current model work for you? If not, what would it take to make it work for you? If it does work for you, what should continue?
Rather than me sending a heap of questions all at once, maybe people could respond to the above questions, and we can take the discussion from that point on.
We would love to get your feedback on these matters.
Best
Ian M Clothier
Faculty of Humanities
Western Institute of Technology at Taranaki
www.witt.ac.nz
0064 6 757 3100 x 8895
Artist
ianclothier.com
Director
Intercreate.org
2013
Jan-Feb SCANZ 2013 3rd nature (creative director)
April Creativity Challenge (organisation team), New Plymouth
May Arts, activism & academia, Auckland
May Transcontinental Hybridity, HybridCity Athens Greece
May Wai revisited, HybridCity Athens
May Transtasman Connect, Balance-UnBalance Noosa Australia
May Environmental response, Balance-UnBalance
Jun ISEA International Advisory Committee, ISEA 2013 Sydney Australia
Jun Leonardo Education and Arts forum, Theme Moderator, ISEA 2013
Oct Re-new (peer reviewer), Copenhagen
2014
Media Art Projects, Nga Motu New Plymouth Aotearoa New Zealand
Being Light, Santa Fe USA
2015
SCANZ 2015: Water and Peace, Nga Motu New Plymouth Aotearoa New Zealand
-----Original Message-----
From: ada_list-bounces@list.waikato.ac.nz on behalf of Ian Clothier
Sent: Tue 4/30/2013 12:37 PM
To: ada_list@list.waikato.ac.nz
Subject: [Ada_list] Media art projects call for proposals
Hi ADA'ers,
Intercreate is pleased to announce the commissioning of two Media Art Projects to be realised in 2014. This is an open call for project proposals, which are due on July 1st 2013. This date is firm as the one project is for the Festival of Lights which has printing deadlines.
Hopefully though this timeframe will give people the opportunity to reflect and consider their proposal.
The Media Art Projects are open to Aotearoa New Zealand artists here and abroad. There is one project with a budget of $6000 which has an open location and resolution date in 2014, and one $3000 project that must be realised in the Fernery of Pukekura Park, during the Festival of Lights in January/February 2014. These budget figures include all associated costs.
The project description page is:
http://www.intercreate.org/2013/03/media-art-projects/
It is important that proposals respond to the information on that page. The proposals will be blind reviewed. All details about applying are on the webpage.
I'm happy to respond to any queries you might have, and to offer feedback up to the submission date.
Best and good luck
Ian M Clothier
Faculty of Humanities
Western Institute of Technology at Taranaki
www.witt.ac.nz
0064 6 757 3100 x 8895
Artist
ianclothier.com
Executive Director
Intercreate.org
2013
Jan-Feb SCANZ 2013 3rd nature (creative director)
April Creativity Challenge (organisation team), New Plymouth
May Arts, activism & academia, Auckland
May Transcontinental Hybridity, HybridCity Athens Greece
May Wai revisited, HybridCity Athens
May Transtasman Connect, Balance-UnBalance Noosa Australia
May Environmental response, Balance-UnBalance
Jun ISEA International Advisory Committee, ISEA 2013 Sydney Australia
Jun Leonardo Education and Arts forum, Theme Moderator, ISEA 2013
Oct Re-new (peer reviewer), Copenhagen
2014
Media Art Projects, Nga Motu New Plymouth Aotearoa New Zealand
Being Light, Santa Fe USA
2015
SCANZ 2015: Water and Peace, Nga Motu New Plymouth Aotearoa New Zealand
As part of Intercreate's Kahikatea funding there will be a SCANZ 2015, and following from discussion since SCANZ2013, it is highly likely the theme will be Water and Peace.
As part of the organisation of this event, we are wanting to review SCANZ. Basically we are trying to find out if our model is still relevant.
It is our intention to use online survey forms to gather information. Prior to creating questions, I thought it would be good to commence the process with some discussion on this list.
Currently we try and get 15-25 participants together from mid January to early February and cover people's accommodation and food. We also in 2013 had an exhibition, mostly of work not part of a residency project (two weeks is extremely short to bring a project to full exhibition level). We always have a hui, wananga or symposium, either at the beginning or the end of the residency.
What other residency/workshop/hui models do people have experience of? What different ways of doing things would people like to put forward?
Does our current model work for you? If not, what would it take to make it work for you? If it does work for you, what should continue?
Rather than me sending a heap of questions all at once, maybe people could respond to the above questions, and we can take the discussion from that point on.
We would love to get your feedback on these matters.
Best
Ian M Clothier
Faculty of Humanities
Western Institute of Technology at Taranaki
www.witt.ac.nz
0064 6 757 3100 x 8895
Artist
ianclothier.com
Director
Intercreate.org
2013
Jan-Feb SCANZ 2013 3rd nature (creative director)
April Creativity Challenge (organisation team), New Plymouth
May Arts, activism & academia, Auckland
May Transcontinental Hybridity, HybridCity Athens Greece
May Wai revisited, HybridCity Athens
May Transtasman Connect, Balance-UnBalance Noosa Australia
May Environmental response, Balance-UnBalance
Jun ISEA International Advisory Committee, ISEA 2013 Sydney Australia
Jun Leonardo Education and Arts forum, Theme Moderator, ISEA 2013
Oct Re-new (peer reviewer), Copenhagen
2014
Media Art Projects, Nga Motu New Plymouth Aotearoa New Zealand
Being Light, Santa Fe USA
2015
SCANZ 2015: Water and Peace, Nga Motu New Plymouth Aotearoa New Zealand
-----Original Message-----
From: ada_list-bounces@list.waikato.ac.nz on behalf of Ian Clothier
Sent: Tue 4/30/2013 12:37 PM
To: ada_list@list.waikato.ac.nz
Subject: [Ada_list] Media art projects call for proposals
Hi ADA'ers,
Intercreate is pleased to announce the commissioning of two Media Art Projects to be realised in 2014. This is an open call for project proposals, which are due on July 1st 2013. This date is firm as the one project is for the Festival of Lights which has printing deadlines.
Hopefully though this timeframe will give people the opportunity to reflect and consider their proposal.
The Media Art Projects are open to Aotearoa New Zealand artists here and abroad. There is one project with a budget of $6000 which has an open location and resolution date in 2014, and one $3000 project that must be realised in the Fernery of Pukekura Park, during the Festival of Lights in January/February 2014. These budget figures include all associated costs.
The project description page is:
http://www.intercreate.org/2013/03/media-art-projects/
It is important that proposals respond to the information on that page. The proposals will be blind reviewed. All details about applying are on the webpage.
I'm happy to respond to any queries you might have, and to offer feedback up to the submission date.
Best and good luck
Ian M Clothier
Faculty of Humanities
Western Institute of Technology at Taranaki
www.witt.ac.nz
0064 6 757 3100 x 8895
Artist
ianclothier.com
Executive Director
Intercreate.org
2013
Jan-Feb SCANZ 2013 3rd nature (creative director)
April Creativity Challenge (organisation team), New Plymouth
May Arts, activism & academia, Auckland
May Transcontinental Hybridity, HybridCity Athens Greece
May Wai revisited, HybridCity Athens
May Transtasman Connect, Balance-UnBalance Noosa Australia
May Environmental response, Balance-UnBalance
Jun ISEA International Advisory Committee, ISEA 2013 Sydney Australia
Jun Leonardo Education and Arts forum, Theme Moderator, ISEA 2013
Oct Re-new (peer reviewer), Copenhagen
2014
Media Art Projects, Nga Motu New Plymouth Aotearoa New Zealand
Being Light, Santa Fe USA
2015
SCANZ 2015: Water and Peace, Nga Motu New Plymouth Aotearoa New Zealand
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