Saturday 25 August 2012 at 1pm, Gus Fisher Gallery, 74 Shortland Street, Auckland 1010
A panel discussion on relationships between art and cinema, with Elam lecturers Alex Monteith and Gavin Hipkins, chaired by writer Laurence Simmons.
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Monday, August 20, 2012
Sunday, August 19, 2012
[Ada_list] 22 August - INIVITATION TO WATERWHEEL FIRST BIRTHDAY
Apologies for cross-postings and please forward to interested people.
I would like to invite you to Waterwheel's first birthday celebrations
'live' online on 22 August http://water-wheel.net/tap
The 8 hours free program (over a 15hr30min period) is available here:
http://bit.ly/WW-program
Waterwheel is a collaborative online venue for streaming, mixing and sharing
media & ideas about water.
I am happy to give you a guided tour if you want, and to get your feedback
on how to improve the platform. As an ongoing venue, you can use all its
tools for your own projects.
Participants to this Wednesday 22 August program:
Inkahoots, Keith Armstrong, Jeff Turpin, Julie Robson, Dawn Albinger and
James Cunningham (Brisbane); Mary Gardner (Byron Bay); Bonemap (Cairns);
Roger Alsop & students (Melbourne); Eklavaya Prasad (Bangkok, originally
from New Delhi); Pascale Barret & Milady Renoir (Brussels); Suzon Fuks
(Amherst, MA); Alessandro Carboni (Naples); Amin Hammami (Tunis); Aafke de
Jong & Maartje Belmer (Amsterdam); Cherry Truluck & Hedva Eltanani (London);
Katarina Djordjevic Urosevic (Belgrade); Agustin Pecchia, Alberto vazquez
and Bernardo Piñero & Fabian Kessler (Buneos Aires); Clare Tallon Ruen
(Evenston, IL); Elvira Santamaria (Mexico); West DL Marrin (San Diego); John
Hopkins (Boulder, CO); Molly Hankwitz (Los Angeles), Vicki Smith and Liz
Bryce (NZ)
cheers
Suzon
WATERWHEEL, Make & Share about Water
how it works: http://bit.ly/WW-step-by-step
Initiator & Co-Founder of WATERWHEEL http://water-wheel.net
IGNEOUS Co-Artistic Director http://www.igneous.org.au
2nd semester 2012: Copeland Fellow & Associate Researcher at the Women
Studies Research Centre at the Five Colleges, Massachusetts
Cell phone: 413-234-7092 (USA)
skype: suzonfuks | http://suzonfuks.net
I would like to invite you to Waterwheel's first birthday celebrations
'live' online on 22 August http://water-wheel.net/tap
The 8 hours free program (over a 15hr30min period) is available here:
http://bit.ly/WW-program
Waterwheel is a collaborative online venue for streaming, mixing and sharing
media & ideas about water.
I am happy to give you a guided tour if you want, and to get your feedback
on how to improve the platform. As an ongoing venue, you can use all its
tools for your own projects.
Participants to this Wednesday 22 August program:
Inkahoots, Keith Armstrong, Jeff Turpin, Julie Robson, Dawn Albinger and
James Cunningham (Brisbane); Mary Gardner (Byron Bay); Bonemap (Cairns);
Roger Alsop & students (Melbourne); Eklavaya Prasad (Bangkok, originally
from New Delhi); Pascale Barret & Milady Renoir (Brussels); Suzon Fuks
(Amherst, MA); Alessandro Carboni (Naples); Amin Hammami (Tunis); Aafke de
Jong & Maartje Belmer (Amsterdam); Cherry Truluck & Hedva Eltanani (London);
Katarina Djordjevic Urosevic (Belgrade); Agustin Pecchia, Alberto vazquez
and Bernardo Piñero & Fabian Kessler (Buneos Aires); Clare Tallon Ruen
(Evenston, IL); Elvira Santamaria (Mexico); West DL Marrin (San Diego); John
Hopkins (Boulder, CO); Molly Hankwitz (Los Angeles), Vicki Smith and Liz
Bryce (NZ)
cheers
Suzon
WATERWHEEL, Make & Share about Water
how it works: http://bit.ly/WW-step-by-step
Initiator & Co-Founder of WATERWHEEL http://water-wheel.net
IGNEOUS Co-Artistic Director http://www.igneous.org.au
2nd semester 2012: Copeland Fellow & Associate Researcher at the Women
Studies Research Centre at the Five Colleges, Massachusetts
Cell phone: 413-234-7092 (USA)
skype: suzonfuks | http://suzonfuks.net
[Ada_list] Waterwheel - a collaborative online venue for streaming, mixing and sharing media & ideas about water invite/announcement
Invite from Suzon Fuks
I would like to invite you to Waterwheel's first birthday celebrations
'live' online on 22 August http://water-wheel.net/tap
The 8 hours free program (over a 15hr30min period) is available here:
http://bit.ly/WW-program
Waterwheel is a collaborative online venue for streaming, mixing and sharing
media & ideas about water.
I am happy to give you a guided tour if you want, and to get your feedback
on how to improve the platform. As an ongoing venue, you can use all its
tools for your own projects.
Participants to this Wednesday 22 August program:
Inkahoots, Keith Armstrong, Jeff Turpin, Julie Robson, Dawn Albinger and
James Cunningham (Brisbane); Mary Gardner (Byron Bay); Bonemap (Cairns);
Roger Alsop & students (Melbourne); Eklavaya Prasad (Bangkok, originally
from New Delhi); Pascale Barret & Milady Renoir (Brussels); Suzon Fuks
(Amherst, MA); Alessandro Carboni (Naples); Amin Hammami (Tunis); Aafke de
Jong & Maartje Belmer (Amsterdam); Cherry Truluck & Hedva Eltanani (London);
Katarina Djordjevic Urosevic (Belgrade); Agustin Pecchia, Alberto vazquez
and Bernardo Piñero & Fabian Kessler (Buneos Aires); Clare Tallon Ruen
(Evenston, IL); Elvira Santamaria (Mexico); West DL Marrin (San Diego); John
Hopkins (Boulder, CO); Molly Hankwitz (Los Angeles), Vicki Smith and Liz
Bryce (NZ)
cheers
Suzon
WATERWHEEL, Make & Share about Water
how it works: http://bit.ly/WW-step-by-step
Initiator & Co-Founder of WATERWHEEL http://water-wheel.net
IGNEOUS Co-Artistic Director http://www.igneous.org.au
2nd semester 2012: Copeland Fellow & Associate Researcher at the Women
Studies Research Centre at the Five Colleges, Massachusetts
Cell phone: 413-234-7092 (USA)
skype: suzonfuks | http://suzonfuks.net
___________________________________________________________________________________________________
Sonja van Kerkhoff
ART: sonjavank.com DESIGN: sonjavank.com/design
VIDEOS: youtube.com/sonjavank VIDEOS: vimeo.com/sonjavank
ART BLOG: sonjavank.blogspot.com ART + MEDIA BLOG: sonjavank.wordpress.com
I would like to invite you to Waterwheel's first birthday celebrations
'live' online on 22 August http://water-wheel.net/tap
The 8 hours free program (over a 15hr30min period) is available here:
http://bit.ly/WW-program
Waterwheel is a collaborative online venue for streaming, mixing and sharing
media & ideas about water.
I am happy to give you a guided tour if you want, and to get your feedback
on how to improve the platform. As an ongoing venue, you can use all its
tools for your own projects.
Participants to this Wednesday 22 August program:
Inkahoots, Keith Armstrong, Jeff Turpin, Julie Robson, Dawn Albinger and
James Cunningham (Brisbane); Mary Gardner (Byron Bay); Bonemap (Cairns);
Roger Alsop & students (Melbourne); Eklavaya Prasad (Bangkok, originally
from New Delhi); Pascale Barret & Milady Renoir (Brussels); Suzon Fuks
(Amherst, MA); Alessandro Carboni (Naples); Amin Hammami (Tunis); Aafke de
Jong & Maartje Belmer (Amsterdam); Cherry Truluck & Hedva Eltanani (London);
Katarina Djordjevic Urosevic (Belgrade); Agustin Pecchia, Alberto vazquez
and Bernardo Piñero & Fabian Kessler (Buneos Aires); Clare Tallon Ruen
(Evenston, IL); Elvira Santamaria (Mexico); West DL Marrin (San Diego); John
Hopkins (Boulder, CO); Molly Hankwitz (Los Angeles), Vicki Smith and Liz
Bryce (NZ)
cheers
Suzon
WATERWHEEL, Make & Share about Water
how it works: http://bit.ly/WW-step-by-step
Initiator & Co-Founder of WATERWHEEL http://water-wheel.net
IGNEOUS Co-Artistic Director http://www.igneous.org.au
2nd semester 2012: Copeland Fellow & Associate Researcher at the Women
Studies Research Centre at the Five Colleges, Massachusetts
Cell phone: 413-234-7092 (USA)
skype: suzonfuks | http://suzonfuks.net
___________________________________________________________________________________________________
Sonja van Kerkhoff
ART: sonjavank.com DESIGN: sonjavank.com/design
VIDEOS: youtube.com/sonjavank VIDEOS: vimeo.com/sonjavank
ART BLOG: sonjavank.blogspot.com ART + MEDIA BLOG: sonjavank.wordpress.com
Sunday, August 12, 2012
[Ada_list] SCANZ 2013 3rd nature selections for residency
Kia ora,
Following is a list of residency projects selected for SCANZ 2013: 3rd nature. Again they are sorted into groups, but these groups overlap with many projects impacting other categories. They are not in any particular order.
The psychology of culture
Kate Genevieve and David Montgomery
To explore marginalised traditional ways of experiencing time as opposed to the West's clock time, using the engaged bodily experience of participants
http://wp.me/p2lf7s-9R
Ilka Blue Nelson
To share and interlace cultural mythologies (Maori and Pakeha) that uncover and strengthen the reciprocal connection between individual and environmental health
http://wp.me/p2lf7s-aa
Agnese Trocchi and Giovanna Dante
To use scientific and creative tools to represent the collective dreamspaces across two continents, each at the antipodes of the other.
http://wp.me/p2lf7s-by
The language of culture
Vicki Smith
To take the craft of tukutuku and create panels that are accessible via QR readers to be installed around the city
http://wp.me/p2lf7s-9Z
Guy van Belle
To work in New Zealand with onomatopoeia words, which can bridge cultural differences between all age and gender categories, and different cultural backgrounds
http://wp.me/p2lf7s-a7
Tracey M Benson
To explore how strategies and technologies could be used in remote Australia to leapfrog the digital divide, empower communities and help build capacity
http://wp.me/p2lf7s-a1
Of plants and interaction
Scenocosme
To develop and present a small garden composed of living musical plants, which react to human gestures and gentle contact
http://wp.me/p2lf7s-9M
Darko Fritz
A site specific work to plant the reload/refresh/sync symbol in the grounds of Pukekura Park
http://wp.me/p2lf7s-9O
Ricardo O'Nascimento
To develop and present an interactive sonic sculpture composed of living plants and electronic parts, using plant and human skin conductivity to trigger musical tunes
http://wp.me/p2lf7s-9J
Brooke Sturtevant-Sealover
a) To study the interactions between the plants, other living organisms, and the environment, b) to dialogue and/or collaborate with scientists c) to create a set of traditional and/or allographic drawings based on collected data
http://wp.me/p2lf7s-a8
Environment
Nigel Helyer
To develop an audio project utilising data sensors and Open Meshwork in Pukekura Park with custom online data to audio translation.
http://wp.me/p2lf7s-br
Sonja van Kerkhoff & Sen McGlinn
To research Maori building and construction techniques then build two structures
http://wp.me/p2lf7s-9Q
Pierre Proske and Damian Stewart
To sonify environmental data through a series of small solar powered audio-visual devices and locate them in the bird sanctuary of Pukekura Park
http://wp.me/p2lf7s-9U
Cecelia Cmielewski
To research exchanges of different knowledge systems – comparing and contrasting Maori and Indigenous environmental concepts with each other and western scientific 'descriptors'. This first exploration will be kept very simple and look at an everyday experience by asking people "What is wind?"
http://wp.me/p2lf7s-bw
Josh Wodak
To develop a series of portrait photographs relating climate change and sea level rise on low lying islands in the Pacific.
http://wp.me/p2lf7s-bu
Applications are open til September 7th. Go to http://www.intercreate.org/2011/09/scanz-2013-third-nature/
Best
Ian M Clothier
Faculty of Humanities
Western Institute of Technology at Taranaki
www.witt.ac.nz
0064 6 757 3100 x 8895
Artist
ianclothier.com
Executive Director
Intercreate.org
2012
March Waterwheel (online) presentation Tunisia
May Presentation at Technoetic telos - Planetary Collegium, Kefalonia Greece
Sept Wai (curator) at 516Arts, ISEA 2012 Albuquerque
Sept Bus garden at ISEA 2012 Albuquerque
2013
Jan-Feb SCANZ 2013 3rd nature (creative director)
Jun Sea of Ubiquity ISEA 2013
-----Original Message-----
From: ada_list-bounces@list.waikato.ac.nz on behalf of Ian Clothier
Sent: Fri 8/10/2012 3:19 PM
To: ADA List
Subject: [Ada_list] SCANZ 2013 3rd nature selections for hui
Hi,
We are pleased to announce the following successful applicants from the
first round of calls for hui-symposium abstracts. The second call is due
on September 7th, so consider getting something in. The abstracts below
are grouped, but these will likely change. It is also not clear yet
whether we will group topics, or have interdisciplinary sessions. Here
is the symposium call page which has details on how to lodge abstracts:
http://wp.me/p2lf7s-at
We are aiming for non-hierarchical sessions, with seating in circles and
panellists among the audience for example. This was tried at ISEA in
Istanbul last year, initiated by Nina Czegledy and followed in the Eco
Sapiens Round Table where Te Huirangi Waikerepuru spoke. We also intend
a more relaxed, open discussion type atmosphere for suitable
presentations.
SCANZ2013: 3rd nature hui abstracts
Environment
Margaret Smith & Fiona Clark (A-NZ) http://wp.me/p2lf7s-aN
Sustaining Waitara Waterways
Josh Wodak (AUS) http://wp.me/p2lf7s-aS Comprehending
Complexity: Art in the Anthropocene
Ricardo Dal Farra (CAN) & Leah Barclay (AUS) http://wp.me/p2lf7s-b0
Balance-Unbalance: Arts + Science x Technology = Environment /
Responsibility
Society - human, animal, informational
Lesley Pitt (A-NZ) http://wp.me/p2lf7s-aQA Pakeha social work view:
liberation starts right here
Pinar Yoldas http://wp.me/p2lf7s-b2 The very loud chamber orchestra
of endangered species
Vanessa Ramos-Velasque http://wp.me/p2lf7s-b9 Digital
Anthropophagy
With regard to indigenous cultures
Gabriel Vanegas http://wp.me/p2lf7s-aU Logics of nature-driven
technologies in a place Called America
Leah Barclay (AUS) http://wp.me/p2lf7s-aY SONIC ECOLOGIES:
Practice-led intersections of sound art, science and technology in
global communities
Ana Terry & Don Hunter (A-NZ) http://wp.me/p2lf7s-b3 Un Litro de
Agua
Deborah Lawler-Dormer (A-NZ) http://wp.me/p2lf7s-b7 He Poi, pattern,
collaboration and electronic art installation
Data and technology
Vicky Sowry http://wp.me/p2lf7s-aW Echology: Making Sense of Data
Brian Degger http://wp.me/p2lf7s-b5 Make, Do, Mend and Hack (MDMH)
the biotechnologies of the 3rd Nature
Best
Ian Clothier
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Following is a list of residency projects selected for SCANZ 2013: 3rd nature. Again they are sorted into groups, but these groups overlap with many projects impacting other categories. They are not in any particular order.
The psychology of culture
Kate Genevieve and David Montgomery
To explore marginalised traditional ways of experiencing time as opposed to the West's clock time, using the engaged bodily experience of participants
http://wp.me/p2lf7s-9R
Ilka Blue Nelson
To share and interlace cultural mythologies (Maori and Pakeha) that uncover and strengthen the reciprocal connection between individual and environmental health
http://wp.me/p2lf7s-aa
Agnese Trocchi and Giovanna Dante
To use scientific and creative tools to represent the collective dreamspaces across two continents, each at the antipodes of the other.
http://wp.me/p2lf7s-by
The language of culture
Vicki Smith
To take the craft of tukutuku and create panels that are accessible via QR readers to be installed around the city
http://wp.me/p2lf7s-9Z
Guy van Belle
To work in New Zealand with onomatopoeia words, which can bridge cultural differences between all age and gender categories, and different cultural backgrounds
http://wp.me/p2lf7s-a7
Tracey M Benson
To explore how strategies and technologies could be used in remote Australia to leapfrog the digital divide, empower communities and help build capacity
http://wp.me/p2lf7s-a1
Of plants and interaction
Scenocosme
To develop and present a small garden composed of living musical plants, which react to human gestures and gentle contact
http://wp.me/p2lf7s-9M
Darko Fritz
A site specific work to plant the reload/refresh/sync symbol in the grounds of Pukekura Park
http://wp.me/p2lf7s-9O
Ricardo O'Nascimento
To develop and present an interactive sonic sculpture composed of living plants and electronic parts, using plant and human skin conductivity to trigger musical tunes
http://wp.me/p2lf7s-9J
Brooke Sturtevant-Sealover
a) To study the interactions between the plants, other living organisms, and the environment, b) to dialogue and/or collaborate with scientists c) to create a set of traditional and/or allographic drawings based on collected data
http://wp.me/p2lf7s-a8
Environment
Nigel Helyer
To develop an audio project utilising data sensors and Open Meshwork in Pukekura Park with custom online data to audio translation.
http://wp.me/p2lf7s-br
Sonja van Kerkhoff & Sen McGlinn
To research Maori building and construction techniques then build two structures
http://wp.me/p2lf7s-9Q
Pierre Proske and Damian Stewart
To sonify environmental data through a series of small solar powered audio-visual devices and locate them in the bird sanctuary of Pukekura Park
http://wp.me/p2lf7s-9U
Cecelia Cmielewski
To research exchanges of different knowledge systems – comparing and contrasting Maori and Indigenous environmental concepts with each other and western scientific 'descriptors'. This first exploration will be kept very simple and look at an everyday experience by asking people "What is wind?"
http://wp.me/p2lf7s-bw
Josh Wodak
To develop a series of portrait photographs relating climate change and sea level rise on low lying islands in the Pacific.
http://wp.me/p2lf7s-bu
Applications are open til September 7th. Go to http://www.intercreate.org/2011/09/scanz-2013-third-nature/
Best
Ian M Clothier
Faculty of Humanities
Western Institute of Technology at Taranaki
www.witt.ac.nz
0064 6 757 3100 x 8895
Artist
ianclothier.com
Executive Director
Intercreate.org
2012
March Waterwheel (online) presentation Tunisia
May Presentation at Technoetic telos - Planetary Collegium, Kefalonia Greece
Sept Wai (curator) at 516Arts, ISEA 2012 Albuquerque
Sept Bus garden at ISEA 2012 Albuquerque
2013
Jan-Feb SCANZ 2013 3rd nature (creative director)
Jun Sea of Ubiquity ISEA 2013
-----Original Message-----
From: ada_list-bounces@list.waikato.ac.nz on behalf of Ian Clothier
Sent: Fri 8/10/2012 3:19 PM
To: ADA List
Subject: [Ada_list] SCANZ 2013 3rd nature selections for hui
Hi,
We are pleased to announce the following successful applicants from the
first round of calls for hui-symposium abstracts. The second call is due
on September 7th, so consider getting something in. The abstracts below
are grouped, but these will likely change. It is also not clear yet
whether we will group topics, or have interdisciplinary sessions. Here
is the symposium call page which has details on how to lodge abstracts:
http://wp.me/p2lf7s-at
We are aiming for non-hierarchical sessions, with seating in circles and
panellists among the audience for example. This was tried at ISEA in
Istanbul last year, initiated by Nina Czegledy and followed in the Eco
Sapiens Round Table where Te Huirangi Waikerepuru spoke. We also intend
a more relaxed, open discussion type atmosphere for suitable
presentations.
SCANZ2013: 3rd nature hui abstracts
Environment
Margaret Smith & Fiona Clark (A-NZ) http://wp.me/p2lf7s-aN
Sustaining Waitara Waterways
Josh Wodak (AUS) http://wp.me/p2lf7s-aS Comprehending
Complexity: Art in the Anthropocene
Ricardo Dal Farra (CAN) & Leah Barclay (AUS) http://wp.me/p2lf7s-b0
Balance-Unbalance: Arts + Science x Technology = Environment /
Responsibility
Society - human, animal, informational
Lesley Pitt (A-NZ) http://wp.me/p2lf7s-aQA Pakeha social work view:
liberation starts right here
Pinar Yoldas http://wp.me/p2lf7s-b2 The very loud chamber orchestra
of endangered species
Vanessa Ramos-Velasque http://wp.me/p2lf7s-b9 Digital
Anthropophagy
With regard to indigenous cultures
Gabriel Vanegas http://wp.me/p2lf7s-aU Logics of nature-driven
technologies in a place Called America
Leah Barclay (AUS) http://wp.me/p2lf7s-aY SONIC ECOLOGIES:
Practice-led intersections of sound art, science and technology in
global communities
Ana Terry & Don Hunter (A-NZ) http://wp.me/p2lf7s-b3 Un Litro de
Agua
Deborah Lawler-Dormer (A-NZ) http://wp.me/p2lf7s-b7 He Poi, pattern,
collaboration and electronic art installation
Data and technology
Vicky Sowry http://wp.me/p2lf7s-aW Echology: Making Sense of Data
Brian Degger http://wp.me/p2lf7s-b5 Make, Do, Mend and Hack (MDMH)
the biotechnologies of the 3rd Nature
Best
Ian Clothier
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Thursday, August 9, 2012
[Ada_list] SCANZ 2013 3rd nature selections for hui
Hi,
We are pleased to announce the following successful applicants from the
first round of calls for hui-symposium abstracts. The second call is due
on September 7th, so consider getting something in. The abstracts below
are grouped, but these will likely change. It is also not clear yet
whether we will group topics, or have interdisciplinary sessions. Here
is the symposium call page which has details on how to lodge abstracts:
http://wp.me/p2lf7s-at
We are aiming for non-hierarchical sessions, with seating in circles and
panellists among the audience for example. This was tried at ISEA in
Istanbul last year, initiated by Nina Czegledy and followed in the Eco
Sapiens Round Table where Te Huirangi Waikerepuru spoke. We also intend
a more relaxed, open discussion type atmosphere for suitable
presentations.
SCANZ2013: 3rd nature hui abstracts
Environment
Margaret Smith & Fiona Clark (A-NZ) http://wp.me/p2lf7s-aN
Sustaining Waitara Waterways
Josh Wodak (AUS) http://wp.me/p2lf7s-aS Comprehending
Complexity: Art in the Anthropocene
Ricardo Dal Farra (CAN) & Leah Barclay (AUS) http://wp.me/p2lf7s-b0
Balance-Unbalance: Arts + Science x Technology = Environment /
Responsibility
Society - human, animal, informational
Lesley Pitt (A-NZ) http://wp.me/p2lf7s-aQA Pakeha social work view:
liberation starts right here
Pinar Yoldas http://wp.me/p2lf7s-b2 The very loud chamber orchestra
of endangered species
Vanessa Ramos-Velasque http://wp.me/p2lf7s-b9 Digital
Anthropophagy
With regard to indigenous cultures
Gabriel Vanegas http://wp.me/p2lf7s-aU Logics of nature-driven
technologies in a place Called America
Leah Barclay (AUS) http://wp.me/p2lf7s-aY SONIC ECOLOGIES:
Practice-led intersections of sound art, science and technology in
global communities
Ana Terry & Don Hunter (A-NZ) http://wp.me/p2lf7s-b3 Un Litro de
Agua
Deborah Lawler-Dormer (A-NZ) http://wp.me/p2lf7s-b7 He Poi, pattern,
collaboration and electronic art installation
Data and technology
Vicky Sowry http://wp.me/p2lf7s-aW Echology: Making Sense of Data
Brian Degger http://wp.me/p2lf7s-b5 Make, Do, Mend and Hack (MDMH)
the biotechnologies of the 3rd Nature
Best
Ian Clothier
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
We are pleased to announce the following successful applicants from the
first round of calls for hui-symposium abstracts. The second call is due
on September 7th, so consider getting something in. The abstracts below
are grouped, but these will likely change. It is also not clear yet
whether we will group topics, or have interdisciplinary sessions. Here
is the symposium call page which has details on how to lodge abstracts:
http://wp.me/p2lf7s-at
We are aiming for non-hierarchical sessions, with seating in circles and
panellists among the audience for example. This was tried at ISEA in
Istanbul last year, initiated by Nina Czegledy and followed in the Eco
Sapiens Round Table where Te Huirangi Waikerepuru spoke. We also intend
a more relaxed, open discussion type atmosphere for suitable
presentations.
SCANZ2013: 3rd nature hui abstracts
Environment
Margaret Smith & Fiona Clark (A-NZ) http://wp.me/p2lf7s-aN
Sustaining Waitara Waterways
Josh Wodak (AUS) http://wp.me/p2lf7s-aS Comprehending
Complexity: Art in the Anthropocene
Ricardo Dal Farra (CAN) & Leah Barclay (AUS) http://wp.me/p2lf7s-b0
Balance-Unbalance: Arts + Science x Technology = Environment /
Responsibility
Society - human, animal, informational
Lesley Pitt (A-NZ) http://wp.me/p2lf7s-aQA Pakeha social work view:
liberation starts right here
Pinar Yoldas http://wp.me/p2lf7s-b2 The very loud chamber orchestra
of endangered species
Vanessa Ramos-Velasque http://wp.me/p2lf7s-b9 Digital
Anthropophagy
With regard to indigenous cultures
Gabriel Vanegas http://wp.me/p2lf7s-aU Logics of nature-driven
technologies in a place Called America
Leah Barclay (AUS) http://wp.me/p2lf7s-aY SONIC ECOLOGIES:
Practice-led intersections of sound art, science and technology in
global communities
Ana Terry & Don Hunter (A-NZ) http://wp.me/p2lf7s-b3 Un Litro de
Agua
Deborah Lawler-Dormer (A-NZ) http://wp.me/p2lf7s-b7 He Poi, pattern,
collaboration and electronic art installation
Data and technology
Vicky Sowry http://wp.me/p2lf7s-aW Echology: Making Sense of Data
Brian Degger http://wp.me/p2lf7s-b5 Make, Do, Mend and Hack (MDMH)
the biotechnologies of the 3rd Nature
Best
Ian Clothier
_______________________________________________
Ada_list mailing list
Ada_list@list.waikato.ac.nz
http://aotearoadigitalarts.org.nz/
Wednesday, August 8, 2012
[Ada_list] August 11 & 13: S/Zports: A Training for the Possible Wor(l)ds
/Two performances this week - join us online!/
One of the performances from 101010, S/Zports: A Training for the
Possible Wor(l)ds
<http://upstage.org.nz/blog/?page_id=1043#s/zports> will be restaged
this week as part of an exhibition of extended media, "Zagrebi Dublje
(Scratch Deeper)" at the ULUS Gallery in Belgrade. Four of the original
artists - Miljana Peric, Julijana Protic, Suzon Fuks and Jelena Rubil –
will be joined by Vicki Smith, Valentina Tibaldi and Helen Varley Jamieson.
The online audience and those in the gallery will participate in a
series of training acts for passing through the contexts of Seeing vs.
Zapping of meaning – a process of decomposing the problem/notion that
traditional warship's enslaving is re-placed with
sport-industry-caused-spectactors'-passivity. Is it a coincience that
the Olympic Games are taking place simultaneously?
The performances will be at 5am NZ time on Saturday 11 August and on
Monday 13 August - yes, a little bit early for those in Aotearoa, but
Vicki will be getting up even earlier than that to limber up for the
show, so make some coffee and come along to cheer her on! If you're not
in NZ, click here to find your local time <http://tinyurl.com/cbfsc2y>.
There will be a live link here <http://upstage.org.nz/blog/?p=4052> to
the stage about half an hour before each performance – just click on the
link to enter the stage.
The exhibition runs from 9-21 August; more information in Srpski here
<http://www.ulus-art.org/index.php?option=com_content&view=article&id=878:zagrebi-dublje-u-galeriji-ulus&catid=2:galerija-ulus&Itemid=3> or
download a media release in English
<http://upstage.org.nz/blog/wp-content/uploads/PRESStextEN.pdf>.
--
____________________________________________________________
helen varley jamieson: creative catalyst
helen@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz
____________________________________________________________
One of the performances from 101010, S/Zports: A Training for the
Possible Wor(l)ds
<http://upstage.org.nz/blog/?page_id=1043#s/zports> will be restaged
this week as part of an exhibition of extended media, "Zagrebi Dublje
(Scratch Deeper)" at the ULUS Gallery in Belgrade. Four of the original
artists - Miljana Peric, Julijana Protic, Suzon Fuks and Jelena Rubil –
will be joined by Vicki Smith, Valentina Tibaldi and Helen Varley Jamieson.
The online audience and those in the gallery will participate in a
series of training acts for passing through the contexts of Seeing vs.
Zapping of meaning – a process of decomposing the problem/notion that
traditional warship's enslaving is re-placed with
sport-industry-caused-spectactors'-passivity. Is it a coincience that
the Olympic Games are taking place simultaneously?
The performances will be at 5am NZ time on Saturday 11 August and on
Monday 13 August - yes, a little bit early for those in Aotearoa, but
Vicki will be getting up even earlier than that to limber up for the
show, so make some coffee and come along to cheer her on! If you're not
in NZ, click here to find your local time <http://tinyurl.com/cbfsc2y>.
There will be a live link here <http://upstage.org.nz/blog/?p=4052> to
the stage about half an hour before each performance – just click on the
link to enter the stage.
The exhibition runs from 9-21 August; more information in Srpski here
<http://www.ulus-art.org/index.php?option=com_content&view=article&id=878:zagrebi-dublje-u-galeriji-ulus&catid=2:galerija-ulus&Itemid=3> or
download a media release in English
<http://upstage.org.nz/blog/wp-content/uploads/PRESStextEN.pdf>.
--
____________________________________________________________
helen varley jamieson: creative catalyst
helen@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz
____________________________________________________________
Thursday, August 2, 2012
[Ada_list] alert: Trolls - a new call for papers from Fibreculture
:::A call for papers for the Fibreculture Journal follows:::
CFP- Special Issue for the Fibreculture Journal: The Politics of Trolling and the Negative Space of the Internet
Edited By Jason Wilson, Christian McCrea and Glen Fuller
A great deal of thinking about the Internet and politics is still structured by a desire for deliberative democracy. From 1993 – when Howard Rheingold enunciated one of the Internet's key founding myths – the virtual community – scholars have sought and found communities characterised by a mutuality of interests, a common purpose, a collaborative striving to renovate the democratic ideal, a tendency towards the "regulative idea" of the ideal speaking position, and an acknowledgement of the obligations of citizenship within the political association. For so long the Internet has continued to function, in Barbrook's formulation, as a "redemptive technology". Social media is just the latest in a long line of technologies which may, on a certain vision, rescue liberal democracy, with its decaying civic life and corrupt media, from itself.
There is, proportionally, too little attention to the everyday conflicts that haunt all such communities. Some conflict is temporary, and can be accounted for in terms of long-standing democratic theory. But some conflict is persistent, intractable. Some of it is gratuitous, and deliberately disruptive. Online, those who bring it about are often subject to normative disapprobation. Sometimes people call them trolls.
"Troll", as a term of moral opprobrium, indicates an online actor who is not interested in deliberation, but in derailing it. Trolling is not apt to be captured by network maps or visualisations of online publics, because these teachniques cannot discern which nodes in a conversational network are created in bad faith, or in a spirit of disruptive play. Trolls are not interested in redeeming democracy through deliberation, and they mock attempts to do so. Trolls respect no procedural rules, though they may be generative of them. Trolls are the constitutive outside of online communities of political discussion, they are the intolerable of the most tolerant communities. Trolls are usually someone else, defined from our own position and interests. When they are not, and we inhabit trolling, we discover that trolling requires know-how, close reading, experience, sometimes sympathy with those we would disrupt.
What are the consequences to seeing trolling and other forms of affective behaviour as the norm, rather than the aberrant? The discourse of digital art has long since told this story, but the intellectual desire for open and constitutive democracy has overridden the 'actually existing democracy' of bullying, trolling, threats, inane memes and low signal-to-noise ratios. What would happen if we started to think of trolling as the central practice in online discourse? What if trolling is the Internet's signature mode of discursive politics? What if we started to think about trolling as a practice which is generative rather than destructive?
This special issue of fibreculture seeks a range of perspectives on trolling, online conflict and incivility. Twenty years on, it looks to interrogate the founding myth of virtual community with accounts of generative conflict, strategic incivility, and productive trolling.
We seek papers on a range of topics not limited to:
Trolling, activism and politics
The persistence and ubiquity of online conflict
Trolling as a business model: the mainstream media and clickbait
Gendered aspects of trolling and incivility
4chan and trolling; activism and meme factories
Trolling and cyberbullying
Complaints about trolling and the "hatred of democracy" – are complaints about trolling really an attempt to re-gentrify political debate?
Cultures and rituals of trolling – troll culture and the celebration of lulz
Trolling and "cyber-bullying"
The Internet and agonistic politics
Trolling and counterpublics
The grammar of trolling
Trolling as the glitch in social network analysis and "big data"
Popular culture, trolls and the democratization of politics
Tabloid media, professionalization of trolling and the economics of opinion
Trolling as cyber-bullying, internet as masochistic survivalist playground
The pleasures of trolling
Trolling the trolls
The art and 'new aesthetics' of trolling
The gamification of trolling
—–
Please note that for this issue, initial submissions should be abstracts only
abstract deadline: October 15, 2012 (via email, to Jason Wilson, email address below)
article deadline: January 15, 2012
publication aimed for: April/May, 2013
all contributors and editors must read the guidelines at;
http://fibreculturejournal.org/policy-and-style/
before working with the Fibreculture Journal
email correspondence for this issue:
Jason.Wilson@canberra.edu.au
Christian.mccrea@rmit.edu.au
Glen.fuller@canberra.edu.au
—–
The Fibreculture Journal (http://fibreculturejournal.org/) is a peer reviewed international journal, associated with Open Humanities Press (http://openhumanitiespress.org/), that explores critical and speculative interventions in the debate and discussions concerning information and communication technologies and their policy frameworks, network cultures and their informational logic, new media forms and their deployment, and the possibilities of socio-technical invention and sustainability.
________________/\_______________________________/\___________
Dr. Su Ballard | Senior Lecturer | Art History, Visual and Media Arts
Faculty of Creative Arts | University of Wollongong
Bld 25, Northfields Ave | NSW 2522, AUSTRALIA
office: 25-135
p: +61 2 4239 2545
cell: +61 448 937 464
e: sballard@uow.edu.au
web: http://www.suballard.net.nz
____/\______________/\___/\____________________________________
________________/\_______________________________/\___________
Dr. Su Ballard | Senior Lecturer | Art History, Visual and Media Arts
Faculty of Creative Arts | University of Wollongong
Bld 25, Northfields Ave | NSW 2522, AUSTRALIA
office: 25-135
p: +61 2 4239 2545
cell: +61 448 937 464
e: sballard@uow.edu.au
web: http://www.suballard.net.nz
consultation hours:
Tuesday 9.30-11.30am and Friday 2.30-4.30
____/\______________/\___/\____________________________________
CFP- Special Issue for the Fibreculture Journal: The Politics of Trolling and the Negative Space of the Internet
Edited By Jason Wilson, Christian McCrea and Glen Fuller
A great deal of thinking about the Internet and politics is still structured by a desire for deliberative democracy. From 1993 – when Howard Rheingold enunciated one of the Internet's key founding myths – the virtual community – scholars have sought and found communities characterised by a mutuality of interests, a common purpose, a collaborative striving to renovate the democratic ideal, a tendency towards the "regulative idea" of the ideal speaking position, and an acknowledgement of the obligations of citizenship within the political association. For so long the Internet has continued to function, in Barbrook's formulation, as a "redemptive technology". Social media is just the latest in a long line of technologies which may, on a certain vision, rescue liberal democracy, with its decaying civic life and corrupt media, from itself.
There is, proportionally, too little attention to the everyday conflicts that haunt all such communities. Some conflict is temporary, and can be accounted for in terms of long-standing democratic theory. But some conflict is persistent, intractable. Some of it is gratuitous, and deliberately disruptive. Online, those who bring it about are often subject to normative disapprobation. Sometimes people call them trolls.
"Troll", as a term of moral opprobrium, indicates an online actor who is not interested in deliberation, but in derailing it. Trolling is not apt to be captured by network maps or visualisations of online publics, because these teachniques cannot discern which nodes in a conversational network are created in bad faith, or in a spirit of disruptive play. Trolls are not interested in redeeming democracy through deliberation, and they mock attempts to do so. Trolls respect no procedural rules, though they may be generative of them. Trolls are the constitutive outside of online communities of political discussion, they are the intolerable of the most tolerant communities. Trolls are usually someone else, defined from our own position and interests. When they are not, and we inhabit trolling, we discover that trolling requires know-how, close reading, experience, sometimes sympathy with those we would disrupt.
What are the consequences to seeing trolling and other forms of affective behaviour as the norm, rather than the aberrant? The discourse of digital art has long since told this story, but the intellectual desire for open and constitutive democracy has overridden the 'actually existing democracy' of bullying, trolling, threats, inane memes and low signal-to-noise ratios. What would happen if we started to think of trolling as the central practice in online discourse? What if trolling is the Internet's signature mode of discursive politics? What if we started to think about trolling as a practice which is generative rather than destructive?
This special issue of fibreculture seeks a range of perspectives on trolling, online conflict and incivility. Twenty years on, it looks to interrogate the founding myth of virtual community with accounts of generative conflict, strategic incivility, and productive trolling.
We seek papers on a range of topics not limited to:
Trolling, activism and politics
The persistence and ubiquity of online conflict
Trolling as a business model: the mainstream media and clickbait
Gendered aspects of trolling and incivility
4chan and trolling; activism and meme factories
Trolling and cyberbullying
Complaints about trolling and the "hatred of democracy" – are complaints about trolling really an attempt to re-gentrify political debate?
Cultures and rituals of trolling – troll culture and the celebration of lulz
Trolling and "cyber-bullying"
The Internet and agonistic politics
Trolling and counterpublics
The grammar of trolling
Trolling as the glitch in social network analysis and "big data"
Popular culture, trolls and the democratization of politics
Tabloid media, professionalization of trolling and the economics of opinion
Trolling as cyber-bullying, internet as masochistic survivalist playground
The pleasures of trolling
Trolling the trolls
The art and 'new aesthetics' of trolling
The gamification of trolling
—–
Please note that for this issue, initial submissions should be abstracts only
abstract deadline: October 15, 2012 (via email, to Jason Wilson, email address below)
article deadline: January 15, 2012
publication aimed for: April/May, 2013
all contributors and editors must read the guidelines at;
http://fibreculturejournal.org/policy-and-style/
before working with the Fibreculture Journal
email correspondence for this issue:
Jason.Wilson@canberra.edu.au
Christian.mccrea@rmit.edu.au
Glen.fuller@canberra.edu.au
—–
The Fibreculture Journal (http://fibreculturejournal.org/) is a peer reviewed international journal, associated with Open Humanities Press (http://openhumanitiespress.org/), that explores critical and speculative interventions in the debate and discussions concerning information and communication technologies and their policy frameworks, network cultures and their informational logic, new media forms and their deployment, and the possibilities of socio-technical invention and sustainability.
________________/\_______________________________/\___________
Dr. Su Ballard | Senior Lecturer | Art History, Visual and Media Arts
Faculty of Creative Arts | University of Wollongong
Bld 25, Northfields Ave | NSW 2522, AUSTRALIA
office: 25-135
p: +61 2 4239 2545
cell: +61 448 937 464
e: sballard@uow.edu.au
web: http://www.suballard.net.nz
____/\______________/\___/\____________________________________
________________/\_______________________________/\___________
Dr. Su Ballard | Senior Lecturer | Art History, Visual and Media Arts
Faculty of Creative Arts | University of Wollongong
Bld 25, Northfields Ave | NSW 2522, AUSTRALIA
office: 25-135
p: +61 2 4239 2545
cell: +61 448 937 464
e: sballard@uow.edu.au
web: http://www.suballard.net.nz
consultation hours:
Tuesday 9.30-11.30am and Friday 2.30-4.30
____/\______________/\___/\____________________________________
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